Shot by photographer Vincent Setyawan, this editorial for Cosmopolitan Indonesia is a fan favorite. Clara wears a liquid-metal silver bodysuit with exaggerated shoulder pads. Her hair is slicked back severely, and the makeup features a smoky eye with negative-space liner. The lighting is harsh, high-contrast, and cinematic. This wasn't just a photoshoot; it was a declaration that Clara Adelin could hang with the fiercest supermodels in the region.
Beyond the visual spectacle, Clara’s work functions as an act of . In an era dominated by fast fashion and globalized homogeneity, her photoshoots frequently pay homage to the tactile heritage of the Minahasan and broader Indonesian archipelago. She has been photographed wearing the intricate gold-threaded Bodo blouse reimagined for the contemporary woman, and she often layers vintage Indonesian kebaya with modern leather harnesses or utilitarian trousers. Her style gallery is not a museum display of artifacts; it is a living, breathing reinvention. By showcasing these garments in high-fashion editorial contexts, she reclaims them from the realm of “traditional costume” and elevates them to the status of avant-garde couture. This is a political act of soft power, asserting that local identity is not a relic of the past but a vibrant component of the global fashion future. Shot by photographer Vincent Setyawan, this editorial for
(often associated with the Supit-Dewi family) highlights her presence within Indonesia's high-society fashion circles. Her style often blends classic elegance with contemporary luxury, frequently documented in prominent publications like Tatler Indonesia . Fashion Photoshoot & Style Highlights The lighting is harsh, high-contrast, and cinematic
Yet, what is most compelling about Clara’s approach is the . In an age where fashion photoshoots often feel aggressively performative—designed to provoke or shock—her images retain a quiet, almost meditative quality. The camera lens seems to respect its subject. The poses are rarely contorted; the expressions are often serene, defiant, or lost in thought. This restraint allows the clothing to breathe and the environment to speak. Her style gallery feels less like a display of wealth and more like a shared secret: a whisper about the places we can go when we dress for ourselves, for the landscape, and for the ghosts that walk beside us. In an era dominated by fast fashion and