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This concept (places of indeterminacy) profoundly influenced later theorists like Wolfgang Iser and the Constance School of reader-response criticism.
The fictional world itself, including the characters, events, and states of affairs depicted in the text. Key Philosophical Concepts Roman Ingarden's Theory of the Literary Work of Art
According to Ingarden, the literary work is an . It is a creation of the author’s consciousness, but once created, it is intersubjectively accessible. It exists as a schematic formation, meaning it is a structure that guides the reader but requires the reader to "fill in the blanks." roman ingarden the literary work of art pdf
The visual or auditory "profiles" through which the fictional world is apprehended, though these are never fully detailed.
This concept is vital for modern literary theory. It is a creation of the author’s consciousness,
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(German: Das literarische Kunstwerk ) is a foundational text in phenomenological aesthetics written by Polish philosopher Roman Ingarden . Published originally in 1931, the book provides a rigorous ontological analysis of the structure and mode of existence of literary works. Ingarden argues that a literary work is a "purely intentional object"—neither purely physical nor purely mental—that exists through a unique multi-layered structure. The Multi-Stratal Structure but once created
The "quasi-sensory" appearances—visual, auditory, or otherwise—through which the reader apprehends characters and settings.
No philosophical work is without critique. In the PDF, you will notice that Ingarden largely ignores narrative voice, ideology, and historical context – concerns central to Marxist and poststructuralist critics (e.g., Terry Eagleton, Jacques Derrida). Later thinkers argued that his model is too formalist, treating a poem like a chemical compound.
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Instead, he proposed that a literary work is a – a stratified, heteronomous structure that exists neither fully in the physical world nor fully in consciousness. It is “created” by the author and “re-created” by the reader, but possesses an identity that endures across different readings and historical periods.