Since Revolta 2 is abandonware, you cannot buy it. You must find the installer file. Here is the standard procedure for a safe installation:
No subtractive synth is complete without a killer filter, and delivers. The filter section is the heart of the plugin’s character. It offers various filter types, including Low-pass, High-pass, Band-pass, and Notch. The resonance (or "Q" factor) on the filter is particularly noteworthy.
Watch this technical walkthrough to see the oscillator and filter settings of Revolta 2 in action: MAGIX Sequoia Pro 17 - Intro to Revolta 2 Music Marketing TV YouTube• May 1, 2024 MAGIX Sequoia Pro 17 - Intro to Revolta 2 Revolta 2 Vst
It is the musical equivalent of a vintage Soviet synthesizer: ugly, unconventional, temperamental, and capable of producing sounds that no modern, sanitized synth can replicate.
In the sprawling ecosystem of software synthesis, certain names dominate the conversation: Serum, Massive, Diva, and Omnisphere. These are the giants, the industry standards. But lurking in the shadows of forums and the hard drives of electronic music purists is a beast that never quite got its mainstream due—. Since Revolta 2 is abandonware, you cannot buy it
. If you are running a modern 64-bit DAW (like Ableton Live 11+ or Cubase 12+), you may need a bridge tool like to load it. MIDI Channel
. Some users have found workarounds to bridge it into other DAWs like FL Studio, but it is officially supported within the MAGIX family. 32-Bit Legacy : Note that Revolta 2 is a 32-bit plugin The filter section is the heart of the plugin’s character
The is a virtual analog and frequency modulation (FM) synthesizer developed by MAGIX . Originally bundled as a core instrument in software like MAGIX Music Maker , Samplitude , and Sequoia , it has become a staple for producers seeking classic 1970s and 80s tones within the MAGIX ecosystem. Core Architecture and Sound Engine
Revolta 1 was a decent, albeit standard, subtractive synth. But Revolta 2 was a complete rewrite. Electric Field aimed to create a "sound designers' synth"—one that could do the warm pads of a Juno and the aggressive, grittier basslines of industrial and drum and bass.