Fishman 200 __exclusive__ Page
In the world of acoustic amplification, there is a constant struggle between preserving the natural, woody tone of an instrument and projecting it loudly enough to be heard over a band or in a large venue. For decades, acoustic guitarists struggled with piezo quack, feedback loops, and sterile, sterile solid-state tones. Then came the Fishman Loudbox series.
| Model | Pros | Cons | |-------|------|------| | | Direct successor, more power (330W), expandable | Heavier sub (35 lbs) | | Bose L1 Compact | Smaller, simpler, excellent dispersion | Less headroom, 1 channel only | | JBL EON One Compact | Battery-powered, Bluetooth, lighter | Plastic build, fewer inputs | | EV Evolve 30M | 8-channel mixer, wireless control, 1000W | More expensive, heavier | Fishman 200
Compared to the newer (which uses eight 2.7-inch drivers and a 10-inch subwoofer), the original 200 sounds slightly boxier in the low-mids. The SA330x is objectively clearer, but many musicians argue the 200 has a warmer, more "woody" midrange that flatters rosewood guitars. In the world of acoustic amplification, there is
If you own or acquire a Fishman 200, here is how to make it sing: | Model | Pros | Cons | |-------|------|------|
The bane of every acoustic guitarist's existence is feedback. Because acoustic amps are essentially microphones pointing at the guitar, feedback loops are common at high volumes. The Fishman 200 includes a Phase switch on each channel. With the press of a button, it inverts the signal phase, often instantly eliminating stubborn low-frequency hums or howling feedback loops without sacrificing tone.
