The film opens with the funeral of Nawal, attended by her two adult children, Jean and Suzanne. The scene is somber and subdued, with a focus on the rituals and traditions of the family's cultural heritage. The camera pans across the mourners, capturing their expressions of grief and condolence. This scene sets the tone for the rest of the film, introducing themes of loss, memory, and the complexities of family relationships.
. La structure de l'œuvre repose sur 38 scènes ou "tableaux" organisés en quatre grandes sections thématiques : Incendie de Nawal Incendie de Jannaane Incendie de Sarwane Incendie de Nawal I. Incendie de Nawal resume incendies wajdi mouawad scene par scene
Flashbacks montrant la jeunesse de Nawal. Elle tombe amoureuse de Wahab, un réfugié, et tombe enceinte. Sa famille tue Wahab, mais sa grand-mère Nazira l'aide à accoucher en secret. Scène 11 : Le tatouage. The film opens with the funeral of Nawal,