Inside Georgina Spelvin -1973- Jun 2026

Born on June 14, 1942, in St. Louis, Missouri, Georgina Spelvin began her career in the adult entertainment industry in the late 1960s. Initially working as a model and appearing in minor film roles, Spelvin quickly gained recognition for her striking features and charisma on screen.

The film is 67 minutes long. For the first 20 minutes, there is no sex. Instead, we watch Spelvin perform a monologue of profound despair—talking to a pet parakeet, weeping over a rejection letter. When she arrives in Hell (depicted as a stark, white void), the demon informs her that the ultimate punishment is not fire, but the absence of pleasure.

For more on the history of this era, you can explore the extensive archives on Wikipedia or read modern retrospectives on the 1973 classic . Inside Georgina Spelvin -1973-

In The Devil in Miss Jones , Spelvin plays Justine Jones, a neurotic, lonely spinster who slits her wrists after being denied a simple sexual pleasure. She arrives in Hell only to make a Faustian bargain with a demon: let her return to Earth to live one life of total carnality and depravity before accepting her damnation.

You cannot discuss "Inside Georgina Spelvin" without immediately addressing the title that defines her legacy: The Devil in Miss Jones . Born on June 14, 1942, in St

"Cut," Damiano says. His voice is soft.

: The photography and cross-cutting have been described as poor by modern standards. Performance The film is 67 minutes long

1973 was the year the dam broke. Deep Throat (late 1972) had made porn chic, but it was The Devil in Miss Jones that turned it into an art-house debate. The film was seized by the New York District Attorney’s office under racketeering laws. During the trial, an NYU film professor testified that the movie had "social value." It became the first adult film to be screened at the Museum of Modern Art (MoMA). Simultaneously, it was playing at the World Theatre on Broadway, where lines wrapped around 49th Street.

Released in March 1973—just eight months before The Exorcist terrified mainstream audiences— The Devil in Miss Jones was the brainchild of producer/director Gerard Damiano. Damiano was still riding the seismic wave of 1972’s Deep Throat , a film that turned pornography from a backroom nickelodeon reel into a national obsession. But Damiano was an artist manqué. He despised the slapstick, dental-office humor of Deep Throat . He wanted to make Camille with explicit sex.