Queen - Hot Space -2011 Deluxe Remaster Flac- 88 ^new^ Jun 2026

Queen - Hot Space (2011 Deluxe Remaster) 88.2kHz/24-bit FLAC

Here is everything you need to know about why this specific 2011 Deluxe Remaster, sampled at 88.2 kHz in the FLAC (Free Lossless Audio Codec) format, is the definitive way to experience this misunderstood masterpiece. Queen - Hot Space -2011 Deluxe Remaster FLAC- 88

This version reveals the truth: Hot Space was not a failed Queen album; it was a brilliant funk album that was mastered poorly the first time. In FLAC 88, John Deacon’s bass finally dominates, Freddie’s soul vocals breathe, and Brian May’s guitar—though sparse—stings with surgical precision. Queen - Hot Space (2011 Deluxe Remaster) 88

The 2011 Deluxe Edition includes the original album remastered plus a bonus EP with live tracks and B-sides. Main Album (Disc 1) Staying Power Body Language Action This Day Put Out The Fire Life Is Real (Song For Lennon) Calling All Girls Las Palabras De Amor (The Words Of Love) Under Pressure (feat. David Bowie) Bonus EP (Disc 2) Staying Power (Live at Milton Keynes Bowl, June 1982) Soul Brother (Single Remix) Action This Day (Live in Tokyo, November 1982) Calling All Girls (Live in Tokyo, November 1982) Collector's Guide Official Digital Purchase The 2011 Deluxe Edition includes the original album

The original Hot Space suffered from a thin, brittle production that some felt sapped the power of tracks like “Staying Power” or the live favorite “Action This Day.” The , part of Universal’s comprehensive Queen catalogue overhaul (overseen by producer/engineer Bob Ludwig and Queen’s own Justin Shirley-Smith), rectifies many of those issues. This isn’t a mere volume boost—it’s a frequency-sensitive restoration using high-resolution digital transfers from the original analogue masters.

A quiet, bass-heavy reggae-funk hybrid. On standard digital, the bass overwhelms Freddie’s falsetto. On the file, there is separation. You hear the fret noise of Deacon’s bass, the breath control of Mercury, and the shimmer of the synth pads. The file peaks at -0.1dB without distortion—a hallmark of a proper remaster.