Joep Franssens Harmony Of The Spheres Score

Franssens’ score treats these words as . Vowels are held for 10-15 seconds. Consonants are placed like percussion attacks. In bar 47 of most editions, the word "voice" stretches across four measures, its ‘oi’ diphthong slowly morphing from open to closed.

This is a fascinating request, as Joep Franssens’ “Harmony of the Spheres” exists at a unique intersection: it is a contemporary choral work (1994) that deliberately evokes a pre-Enlightenment cosmological concept through a distinctly modern, post-minimalist musical language. Unlike a simple Renaissance pastiche, Franssens uses the score itself as a living, breathing model of cosmic harmony. Joep Franssens Harmony Of The Spheres Score

"The score is not the music. The score is the map of a place that only exists while you are listening." — Joep Franssens (from liner notes, 1998) Franssens’ score treats these words as

Suggest for a concert program

Franssens’ score treats these words as . Vowels are held for 10-15 seconds. Consonants are placed like percussion attacks. In bar 47 of most editions, the word "voice" stretches across four measures, its ‘oi’ diphthong slowly morphing from open to closed.

This is a fascinating request, as Joep Franssens’ “Harmony of the Spheres” exists at a unique intersection: it is a contemporary choral work (1994) that deliberately evokes a pre-Enlightenment cosmological concept through a distinctly modern, post-minimalist musical language. Unlike a simple Renaissance pastiche, Franssens uses the score itself as a living, breathing model of cosmic harmony.

"The score is not the music. The score is the map of a place that only exists while you are listening." — Joep Franssens (from liner notes, 1998)

Suggest for a concert program