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The term "aging out" became a dreaded reality. Iconic stars like Bette Davis and Joan Crawford, subjects of the recent Feud series, saw their careers warp into grotesque caricatures of horror or melodrama as they aged, reflecting an industry that didn't know what to do with a woman who possessed experience. For decades, the prevailing wisdom was that audiences did not want to see older women on screen. This fallacy created a self-fulfilling prophecy where mature women were absent, reinforcing the idea that their stories did not matter. : Only a small fraction of top-grossing films

For decades, the narrative was painfully predictable. In the Hollywood system, and indeed in global cinema, a woman had a "shelf life." The ingénue dominated her twenties; the romantic lead carried her into her early thirties; and by forty, she was often relegated to the role of the quirky best friend, the worried mother, or the villainous older rival. The industry suffered from a severe case of ageism, treating women over 45 as if they were an aberration rather than an audience.