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Her eye contact with the lens is deliberate. She understands that the power in a Woodman scene does not belong to the director; it belongs to whoever commands the frame. During the pivotal second act, when the scene threatens to devolve into the aggressive rapid-fire pacing that critics have called exploitative, Gold inserts a pause. She resets the rhythm. For a moment, the notoriously fast-moving production bends to her tempo. WoodmanCastingX - Marina Gold - Casting...