Tannoy System 8 Nfm Ii Review Review
The duralumin dome tweeter is known for high resolution but can sound "hard" or "thin" if paired with aggressive amplifiers; many users prefer "softer" or more neutral amplification like Hafler models to balance the tone. Pros and Cons Tannoy System 8 - Gearspace 29 Jan 2008 —
The Tannoy System 8 NFM II is not the flattest or loudest monitor ever made, but it is arguably . If you find a pair with intact drivers (no foam rot on the tweeter dome) and non-dented dust caps, buy them. Pair them with a decent 100-watt amp and a small subwoofer, and you have a nearfield system that beats many modern monitors in the $1k range.
Users describe them as "accurate to a fault," making balance issues and guitar tones easy to identify and adjust during mixing. Bass Response: tannoy system 8 nfm ii review
The "point source" design ensures that high and low frequencies originate from the same axis, leading to unmatched stereo localization and a huge, phase-coherent soundstage.
The analog enthusiast. The engineer who hated the harshness of NS10s. The home studio owner who wants "that 90s record sound" (Think Nirvana’s In Utero or Radiohead’s The Bends —both mixed on Tannoy systems). The duralumin dome tweeter is known for high
To understand the System 8 NFM II, one must first understand the technology that defines it. Tannoy is synonymous with the "Dual Concentric" driver configuration. Unlike standard two-way speakers where the tweeter sits above or beside the woofer, a Dual Concentric driver places the high-frequency unit right in the throat of the low-frequency driver, positioned behind the center of the cone.
| Feature | Tannoy System 8 NFM II | Modern Active Monitor (e.g., Adam T8V) | | :--- | :--- | :--- | | | Passive | Active | | Bass | Tight, less deep (50Hz) | Deeper, ported (often 38Hz) | | Imaging | Point-source (world-class) | Good, but position dependent | | Fatigue | Low | Higher (often brighter) | | Amp needed | Yes | No | Pair them with a decent 100-watt amp and
I paired the NFM IIs with a Bryston 3B-ST (120wpc) and a set of custom Kimber Kable 8TC. The source material ranged from Steely Dan’s Aja to modern bass-heavy tracks like Billie Eilish’s When We All Fall Asleep .