A Girl Walks Home Alone | At Night

One cannot discuss A Girl Walks Home Alone at Night without addressing its visual language. Shot in crisp, stark black and white by cinematographer Lyle Vincent, the film looks like a lost collaboration between David Lynch and Federico Fellini, with a dash of Jim Jarmusch’s deadpan cool.

The Bad City as a Psychic Landscape: Vampirism, Femininity, and the Subversion of the Gaze in Ana Lily Amirpour’s “A Girl Walks Home Alone at Night” A Girl Walks Home Alone at Night

Here’s why this modern cult classic deserves a spot on your watchlist: 1. A Masterclass in Atmosphere Film of the Week: A Girl Walks Home Alone at Night One cannot discuss A Girl Walks Home Alone

But the center of the gravity is Her . She has no name in the script—she is simply "The Girl." Living in an abandoned, dimly lit house filled with vinyl records and siphoning electricity from the city grid, she roams the streets at night. When she encounters a man who has mistreated women, or neglected his family, or simply been cruel, she reveals her true nature. She is a vampire. And she dances. And she kills. A Masterclass in Atmosphere Film of the Week: