Released in 1982 by , Azimut remains a cornerstone of Italian pop music, marking a pivotal moment where Venetian singer-songwriter Alice (born Carla Bissi) moved away from her pure New Wave roots toward a more melodic, yet sophisticated, art-pop sound. For audiophiles, seeking this album in FLAC 16-bit/44.1kHz (CD-quality lossless) is the definitive way to experience its lush arrangements and the intricate collaboration between Alice and her mentor, the legendary Franco Battiato . The Sound of Azimut Alice - Azimut -1982 Pop- -Flac 16-44-
Listening to Azimut in a lossless format like FLAC 16-44 allows for the preservation of the original mastering dynamics from the early recordings. Unlike compressed MP3s, a 16-bit/44.1kHz rip retains the full frequency range, ensuring that the subtle textures of the vintage synthesizers and the nuances of Alice's trembling vocal performance are fully realized. Legacy and Availability
Here is the secret: Many CD pressings of Azimut from the 1990s suffered from the "Loudness War"—they were dynamically compressed to sound louder on cheap headphones. Furthermore, the original Italian EMI pressings are rare and expensive.
By 1982, the Italian singer-songwriter known as Alice (born Carla Bissi) was already a Eurovision icon. She had won the Sanremo Music Festival in 1981 with Per Elisa , a minimalist, haunting piano ballad that defied the bombast of traditional Italian pop. But Alice was never comfortable being a standard pop star.
You might ask: Isn't a CD already 16-bit/44.1kHz? Why not just buy the CD? Released in 1982 by , Azimut remains a
The album is a vibrant blend of early 80s synthesizers, atmospheric saxophones, and driving pop-rock rhythms. It captures a specific artistic synergy between Battiato’s avant-garde "machine music" and Alice’s powerful, emotive vocal delivery. Key collaborators included: Angelo Carrara.
A rip from a pristine 1980s vinyl pressing or a properly extracted early digital master offers:
: Significant contributions come from Franco Battiato (under his pseudonym Albert Kui) and Eugenio Finardi , lending the album a high degree of artistic "personality pop". Track-by-Track Highlights Notable Features A Azimut
Described by reviewers from Rate Your Music as a slightly "cheesy" but energetic AOR-style track. Chan-son Egocentrique Unlike compressed MP3s, a 16-bit/44
Released in 1982 by , Azimut remains a cornerstone of Italian pop music, marking a pivotal moment where Venetian singer-songwriter Alice (born Carla Bissi) moved away from her pure New Wave roots toward a more melodic, yet sophisticated, art-pop sound. For audiophiles, seeking this album in FLAC 16-bit/44.1kHz (CD-quality lossless) is the definitive way to experience its lush arrangements and the intricate collaboration between Alice and her mentor, the legendary Franco Battiato . The Sound of Azimut
Listening to Azimut in a lossless format like FLAC 16-44 allows for the preservation of the original mastering dynamics from the early recordings. Unlike compressed MP3s, a 16-bit/44.1kHz rip retains the full frequency range, ensuring that the subtle textures of the vintage synthesizers and the nuances of Alice's trembling vocal performance are fully realized. Legacy and Availability
Here is the secret: Many CD pressings of Azimut from the 1990s suffered from the "Loudness War"—they were dynamically compressed to sound louder on cheap headphones. Furthermore, the original Italian EMI pressings are rare and expensive.
By 1982, the Italian singer-songwriter known as Alice (born Carla Bissi) was already a Eurovision icon. She had won the Sanremo Music Festival in 1981 with Per Elisa , a minimalist, haunting piano ballad that defied the bombast of traditional Italian pop. But Alice was never comfortable being a standard pop star.
You might ask: Isn't a CD already 16-bit/44.1kHz? Why not just buy the CD?
The album is a vibrant blend of early 80s synthesizers, atmospheric saxophones, and driving pop-rock rhythms. It captures a specific artistic synergy between Battiato’s avant-garde "machine music" and Alice’s powerful, emotive vocal delivery. Key collaborators included: Angelo Carrara.
A rip from a pristine 1980s vinyl pressing or a properly extracted early digital master offers:
: Significant contributions come from Franco Battiato (under his pseudonym Albert Kui) and Eugenio Finardi , lending the album a high degree of artistic "personality pop". Track-by-Track Highlights Notable Features A Azimut
Described by reviewers from Rate Your Music as a slightly "cheesy" but energetic AOR-style track. Chan-son Egocentrique