Giulia.rosa ((new)) -

Policardo also specializes in the fields of prejudice, migration, and societal unity. Her work maps how distinct community groups interact within multicultural societies.

: Her primary goal is to make viewers feel less alone in their experiences. She often references the Italian saying "mal comune mezzo gaudio" —a trouble shared is a trouble halved—to describe her desire to find common ground with her audience.

, explores complex human themes such as love, longing, solitude, and the relationship between individuals and their "shadow" selves. Artistic Style and Themes giulia.rosa

Beyond online environments, Policardo studies the protective psychological mechanisms that individuals use to handle body shame.

Policardo’s core research investigates how digital spaces warp human psychology. A large portion of her work evaluates the direct links between social media platforms and body dissatisfaction. Policardo also specializes in the fields of prejudice,

: Many of her pieces place human characters in surreal situations—such as having tea with their own shadows—to symbolize self-reflection and healing.

Rosa’s work is characterized by delicate lines and a blend of soft and vivid tones, often incorporating surreal elements to represent internal psychological states. She draws significant inspiration from the works of and René Magritte , which is evident in her use of symbolic imagery and dreamlike atmospheres. She often references the Italian saying "mal comune

She represents a specific demographic of the Gen Z/Millennial cusp: young women who want their lives to look like a magazine spread. By embodying this desire, she has cultivated a community that values style, presentation, and the pursuit of beauty in the everyday.

: A recent favorite project of hers involves reimagining traditional playing card characters as "sassy and spicy" beings. Online Presence and Community

The trajectory of Giulia Rosa’s career took a sharp turn upward in 2023. Following a glowing review by Artribune magazine, she was invited as a resident artist to the Palazzo Monti in Brescia. It was there that she produced her most famous series to date: "Metropolitan Maternities."